Wir / The First Letter
Artist Wir
Album Title: The First Letter
Album Cover:
Primary Genre Rock: General Rock
Format CD
Released 10/29/1991
Label Mute Records Ltd/Elektra Entertainment/Warner Bros
Catalog No 9 61238-2
Bar Code No 0 7559-61238-2 2
Packaging Jewelcase
Tracks
1. Take It (For Greedy) (3:13)
2. So And Slow It Grows (4:00)
3. A Bargain At 3 And 20 Yeah! (2:55)
4. Footsi - Footsi (4:55)
5. Ticking Mouth (6:31)
6. It Continues (4:33)
7. Looking At Me (Stop!) (4:12)
8. Naked, Whooping And Such-Like (Extended On And On) (7:05)
9. Tailor Made (3:48)
10. No Cows On The Ice (4:16)
11. A Big Glue Canal (4:09)
12. So And Slow It Grows (5:13)
Date Acquired 02/15/1992
Personal Rating
Acquired from Roadrunner Records
Purchase Price 17.00

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-01-27 04:26:06

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Analyzed: Wir / The First Letter
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DR         Peak         RMS     Duration Track
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DR14      -3.94 dB   -20.12 dB      3:14 01/12-Take It (for Greedy)
DR11      -2.47 dB   -15.82 dB      4:01 02/12-So and Slow It Grows
DR14      -2.81 dB   -23.76 dB      2:56 03/12-A Bargain at 3 and 20 Yeah!
DR14      -0.92 dB   -17.09 dB      4:56 04/12-Footsi-Footsi
DR17      -0.17 dB   -20.77 dB      6:31 05/12-Ticking Mouth
DR15      -0.53 dB   -17.82 dB      4:33 06/12-It Continues
DR14      -3.10 dB   -20.56 dB      4:12 07/12-Looking at Me (Stop!)
DR13      -2.91 dB   -19.84 dB      7:06 08/12-Naked, Whooping and Such-Like (extended On and On)
DR13      -0.10 dB   -15.09 dB      3:49 09/12-Tailor Made
DR14      -0.10 dB   -17.44 dB      4:17 10/12-No Cows on the Ice
DR14      -0.11 dB   -16.36 dB      4:10 11/12-A Big Glue Canal
DR14      -2.47 dB   -18.61 dB      5:14 12/12-So and Slow It Grows (single mix)
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Number of tracks:  12
Official DR value: DR14

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           727 kbps
Codec:             FLAC
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Reviews
All Music Guide Review:

Review by Stephen Thomas Erlewine
With The First Letter Wire renamed itself WIR and continued its move toward more detailed soundscapes. Like the previous Manscape, the vocals mean considerably less than the musical textures -- it's all about the sound, not the song. Some of the soundscapes are quite interesting, but much of the music fails to be compelling. Nevertheless, the concentration on sonic textures made it no surprise that Colin Newman began pursuing a career as a techno label owner after the album's release.
Cover 1
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