DR Peak RMS Duration Track
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DR12 -3.14 dB -18.12 dB 6:14 01-Sweat Loaf
DR13 -3.14 dB -18.71 dB 2:36 02-Graveyard
DR13 -3.50 dB -18.84 dB 2:35 03-Pittsburgh to Lebanon
DR11 -3.63 dB -19.66 dB 0:41 04-Weber
DR13 -4.84 dB -21.79 dB 1:54 05-Hay
DR11 -3.11 dB -16.21 dB 3:56 06-Human Cannonball
DR12 -3.15 dB -17.77 dB 2:20 07-U.S.S.A.
DR10 -3.62 dB -15.38 dB 3:29 08-The O-Men
DR12 -4.31 dB -20.79 dB 2:31 09-Kuntz
DR12 -3.17 dB -17.09 dB 2:54 10-Graveyard
DR12 -3.28 dB -17.57 dB 4:25 11-22 Going on 23
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Review by Steve Huey
The aural equivalent of a nightmarish acid trip and arguably the band's best album (or worst, depending on your point of view), Locust Abortion Technician tops the psychedelic, artsy sonic experimentation of Rembrandt Pussyhorse while keeping one foot planted firmly in the gutter. The record veers from heavy Sabbath sludge (even parodying that band on "Sweat Loaf") to grungy noise rock to progressive guitar and tape effects to almost folky numbers in one big, gloriously schizophrenic mess. Gibby Haynes debuts his "Gibbytronix" vocal effects unit here as well.