Dump / I Can Hear Music
Artist Dump
Album Title: I Can Hear Music
Album Cover:
Primary Genre Alternative & Punk: General Alternative
Format CD
Released 05/01/1995
Label Brinkman Records
Catalog No BRCD 029
Bar Code No none
Packaging Jewelcase
Tracks
I Can Hear Music
1. Slow Down (3:14)
2. Jury Duty (2:43)
3. Hope, Joe (3:42)
4. Into Fall (2:16)
5. Flap My Arms (4:15)
6. The Letter (2:19)
(Cann-Cross,Currie-Fish & Roses-Ure)
7. Relocation Program (1:37)
8. Invisible (5:16)
9. Morning Morning (2:10)
(Tuli Kupferberg-James McNew)
10. Don't Let On (4:45)
11. Wanted Man (2:36)
(Bob Dylan)
12. Curl (3:31)
13. Zusaan Says (2:46)
14. Liberty Spikes (2:11)
15. Burning (4:14)
16. It's Not Alright (3:49)
17. Beyond The Door (3:40)
18. Never Comes (5:38)
19. Vienna (4:15)
I Can Hear Music (Bonus Disk)
1. I Can Hear Music (2:46)
2. I Want To Be With You (2:33)
3. Class Of... (4:49)
4. No One, Never (4:55)
5. Dear Betty (4:47)
6. Acupuncture (3:12)
7. 8 Km High (5:16)
8. Bill Withers (4:08)
9. Slow Down (2:38)
Date Acquired 02/27/2012
Personal Rating
Acquired from spaceprophetdogon (Discogs)
Purchase Price 21.00

Web Links

All Music Guide Entry:
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Reviews
All Music Guide Review:

Review by Stewart Mason

Yo La Tengo bassist James McNew's second full-length release as Dump plays up the lo-fi elements of his one-man-band recordings a bit (the catchy opener "Slow Down" suffers from deliberate distortion and tape glitches), but it's overall a bit poppier and less experimental than either the full-length Superpowerless or the EP International Airport. As on all Dump records, the arrangements are heavy on the weedy little synths and inexpensive drum machines, which only adds to the homemade charm. Along with 15 McNew originals in varied styles, with the sublime "Liberty Spikes" a particular standout, I Can Hear Music continues Dump's predilection for obscure and fascinating covers. This time out, the choices are a straightforward and lovely version of the Fugs' "Morning Morning" (with backing vocals by Peggy Castagnes); an oddly bouncy take on Bob Dylan's "Wanted Man"; his Hoboken neighbors Fish and Roses' "The Letter"; and, best of all, a stately version of Ultravox's "Vienna" that strips all the production gloss off the original to get at the achingly pretty melody. The first pressing of I Can Hear Music included a bonus disc of largely instrumental songs that's interesting but not essential.
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