| Artist |
Wilco |
| Album Title: |
Summerteeth |
| Album Cover: |
 |
| Primary Genre |
Alternative & Punk: Indie |
| Format |
Vinyl (2), CD (1) |
| Released |
03/09/1999 |
| Reissue Date |
06/02/2009 |
| Label |
Nonesuch Records |
| Catalog No |
518086-1 |
| Bar Code No |
0 75597 98293 0 |
| Reissue |
Yes |
| Packaging |
LP Sleeve (Double) |
| Tracks |
| Summerteeth (Disc 1) |
| A1.
|
Can't Stand It (3:47)
|
| A2.
|
She's A Jar (4:41)
|
| A3.
|
A Shot In The Arm (4:18)
|
| A4.
|
We're Just Friends (2:44)
|
| B1.
|
I'm Always In Love (3:40)
|
| B2.
|
Nothing'severgonnastandinmyway (Again) (3:19)
|
| B3.
|
Pieholden Suite (3:26)
|
| B4.
|
How To Fight Loneliness (3:53)
|
|
| Summerteeth (Disc 2) |
| A1.
|
Via Chicago (5:32)
|
| A2.
|
ELT (3:45)
|
| A3.
|
My Darling (3:38)
|
| A4.
|
When You Wake Up Feeling Old (3:54)
|
| B1.
|
Summer Teeth (3:19)
|
| B2.
|
In A Future Age (2:57)
|
| B3.
|
Candy Floss (2:57)
|
| B4.
|
A Shot In The Arm (Remix) (3:54)
|
|
| Summerteeth (Included CD)[STCD 400080] |
| A1.
|
Can't Stand It (3:46)
|
| A2.
|
She's A Jar (4:43)
|
| A3.
|
A Shot In The Arm (4:19)
|
| A4.
|
We're Just Friends (2:44)
|
| A5.
|
I'm Always In Love (3:41)
|
| A6.
|
Nothing'severgonnastandinmyway (Again) (3:20)
|
| A7.
|
Pieholden Suite (3:26)
|
| A8.
|
How To Fight Loneliness (3:53)
|
| A9.
|
Via Chicago (5:33)
|
| A10.
|
ELT (3:46)
|
| A11.
|
My Darling (3:38)
|
| A12.
|
When You Wake Up Feeling Old (3:56)
|
| A13.
|
Summer Teeth (3:21)
|
| A14.
|
In A Future Age (2:57)
|
| A15.
|
Blank (0:23)
|
| A16.
|
Candy Floss (2:57)
|
| A17.
|
In A Future Age (Alternate Take) (3:54)
|
|
| Date Acquired |
01/09/2013 |
| Personal Rating |
 |
| Acquired from |
Music Direct (Musicdirect.Com) |
| Purchase Price |
24.99 |
Web Links |
All Music Guide Entry:
Discogs Entry: |
Notes |
Artwork By [Direction] – Lawrence Azerrad
Booking – Frank Riley, Paul Fenn
Engineer – Chris Grainger, Dave Trumfio, Larry Greenhill, Mike Hagler, Mitch Easter, Russ Long
Engineer [Assistant] – Steve Chadie
Legal – Josh Grier
Management – Tony Margherita
Management [Financial] – Helene Axelrod, Lia Sweet
Mastered By – Bob Ludwig
Mixed By – David Kahne (tracks: A1, D4), Jim Scott (tracks: A2 to D4)
Mixed By [Assistant] – Mike Scotella (tracks: A2 to D4)
Photography By – Justine Parsons
Technician [Technical Assistance] – Jonathan Parker
Written-By, Producer, Performer – Wilco
Recorded At – Pedernales Studio
Recorded At – Kingsize Soundlabs
Recorded At – The White House
Recorded At – Fidelitorium
Recorded At – Dead Aunt Thelma's
Recorded At – Ocean Way Recording
Recorded At – Scream Studios
2009 180G Re-Issue with CD.
Recorded from August 1997 through November 1998 at: Pedernales Recording Studio in Spicewood, Texas; Kinh Size Sound Laboratories in Chicago; The White House in Nashville; The Fidelitorium in Kernersville, North Carolina; Dead Aunt Thelma's in Portland, Oregon; Ocean Way Recording and Scream Studio, Los Angeles.
================================================================================
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-01-26 01:21:48
--------------------------------------------------------------------------------
Analyzed: Wilco / Summerteeth CD
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR7 0.00 dB -8.46 dB 3:47 01/17-Can't Stand It
DR7 0.00 dB -8.47 dB 4:43 02/17-She's a Jar
DR5 0.00 dB -7.69 dB 4:20 03/17-A Shot in the Arm
DR9 0.00 dB -11.18 dB 2:45 04/17-We're Just Friends
DR7 -0.11 dB -8.11 dB 3:41 05/17-I'm Always in Love
DR7 -0.07 dB -8.12 dB 3:21 06/17-Nothing'severgonnastandinmyway(again)
DR9 0.00 dB -11.83 dB 3:26 07/17-Pieholden Suite
DR9 -0.01 dB -10.72 dB 3:53 08/17-How to Fight Loneliness
DR7 0.00 dB -10.62 dB 5:34 09/17-Via Chicago
DR7 -0.01 dB -8.17 dB 3:46 10/17-ELT
DR7 0.00 dB -8.83 dB 3:38 11/17-My Darling
DR8 -0.10 dB -10.59 dB 3:56 12/17-When You Wake Up Feeling Old
DR7 0.00 dB -8.94 dB 3:21 13/17-Summer Teeth
DR7 -0.01 dB -10.51 dB 2:57 14/17-In a Future Age
DR0 -90.31 dB -1.#J dB 0:23 15/17-[silence]
DR7 -0.03 dB -8.55 dB 2:58 16/17-Candy Floss
DR6 0.00 dB -7.82 dB 3:55 17/17-A Shot in the Arm (remix)
--------------------------------------------------------------------------------
Number of tracks: 17
Official DR value: DR7
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 1006 kbps
Codec: FLAC
================================================================================
|
|
| Reviews |
All Music Guide Review:
Review by Jason Ankeny
Jeff Tweedy once blazed the trail for the American rock underground's embrace of its country and folk roots, but as the decade drew to a close he also began spearheading the return of classic pop; simply put, what once were fiddles on Wilco records became violins -- the same instrument, to be sure, but viewed with a radical shift in perception and meaning. While lacking the sheer breadth and ambition of the previous Being There, Summer Teeth is the most focused Wilco effort yet, honing the lessons of the last record to forge a majestic pop sound almost completely devoid of alt-country elements. The lush string arrangements and gorgeous harmonies of tracks like "She's a Jar" and "Pieholden Suite" suggest nothing less than a landlocked Brian Wilson, while more straightforward rockers like the opening "I Can't Stand It" bear the influence of everything from R&B to psychedelia. Still, for all of the superficial warmth and beauty of the record's arrangements, Tweedy's songs are perhaps his darkest and most haunting to date, bleak domestic dramas informed by recurring themes of alienation, adultery, and abuse -- even the sunniest melodies mask moments of devastating power. If Summer Teeth has a precedent, it's peak-era Band; the album not only possesses a similar pastoral sensibility, but like Robbie Robertson and company before them, Wilco seems directly connected to a kind of American musical consciousness, not only rejuvenating our collective creative mythology, but adding new chapters to the legend with each successive record.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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| Cover 6 |
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