Various Artists - Soundtrack / Rushmore (Original Motion Picture Soundtrack)
Artist Various Artists - Soundtrack
Album Title: Rushmore (Original Motion Picture Soundtrack)
Album Cover:
Primary Genre Soundtrack: Film Soundtrack
Format CD
Released 02/02/1999
Label London Records
Catalog No 314-556-074-2
Bar Code No 7 314-556074-2 0
Packaging Jewelcase
Tracks
1. Hardest Geometry Problem In The World / Mark Mothersbaugh (1:29)
2. Making Time / The Creation (2:55)
3. Concrete & Clay / Unit Four Plus Two (2:17)
4. Nothing In This World Can Stop Me Worrin' Bout That Girl / The Kinks (2:43)
5. Sharp Little Guy / Mark Mothersbaugh (0:43)
6. The Lad With The Silver Button / Mark Mothersbaugh (1:00)
7. A Summer Song / Chad & Jeremy (2:37)
8. Edward Appleby (In Memoriam) / Mark Mothersbaugh (0:43)
9. Here Comes My Baby / Cat Stevens (2:55)
10. A Quick One While He's Away / The Who (8:41)
11. Snowflake Music (From Bottlerocket) / Mark Mothersbaugh (0:38)
12. Piranhas Are A Very Tricky Species / Mark Mothersbaugh (1:20)
13. Blinuet / Zoot Sims (4:35)
14. Friends Like You, Who Needs Friends / Mark Mothersbaugh (1:24)
15. Rue St. Vincent / Yves Montand (3:22)
16. Kite Flying Society / Mark Mothersbaugh (1:19)
17. The Wind / Cat Stevens (1:40)
18. Oh Yoko / John Lennon (4:16)
19. Ooh La La / The Faces (3:28)
20. Margaret Yang's Theme / Mark Mothersbaugh (1:17)
Date Acquired 03/16/2013
Personal Rating
Acquired from Blowitoutahere.Com
Purchase Price 10.92

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

This compilation ? 1999 London Records USA. Motion Picture Artwork and artwork title © 1998 Touchstone Pictures. Manufactured and marketed by Polygram Records Inc. NY, NY.
Made and printed in the USA.
Wes Anderson & Randall Poster are listed as the producers for the entire soundtrack on the artwork.

Wes Anderson writes in a booklet:

"I Originally wanted to score the whole movie of 'Rushmore' with songs by the Kinks. I thought this made sense because the Kinks played loud, angry, teenage rock songs, and they wore blazers and ties; and our movie is about a teenager who is loud and angry, and he is almost never seen without his blazer and tie (until he switches to a green velvet suit). I eventually expanded this concept to include the whole British invasion, because they all basically dressed like that.Then we did some research and started making tapes labeled SCHOOL MOVIE MUSIC, which I listened to on road trips while we were writing the script. Sometimes I put the same song on a tape five or six times in a row, because your mind wanders when you're on the road, and repetition helps you focus your concentration. We played lots of this music on the set during the shot in Houston with a Bose stereo that Bill Murray got for us. My assistant had to lug the Bose around and get electricians to give her extension cables, and the inconvenience of that eventually led her to quit, although there were probably other factors which i don't know about. At the end of the shoot Murray gave the Bose to one of the make-up people. The only song we used</b> * </b>that's not British Invasion is the Yves Montand rendition of 'Rue St. Vincent', but I think that's a good one to stand on its own.

Thanks very much, and I hope you enjoy this album."

Wes Anderson

*(Except Zoot Sims and Mark Mothersbaugh.)

Reviews
All Music Guide Review:

Review by Jack Rabid
While a soundtrack LP based on the smorgasbord of the "sounds of the '60s" is hardly a novel concept, Rushmore announced right up front it was offering more fruitful fare by emphasizing the little-known but cranking/smoking Creation single "Makin' Time" in its TV ads. That snarling-ornery classic more or less leads off this collection of British Invasion-era obscuros, a CD whose mere track selection proves its curator to be a genuine, happy, knowledgeable fan of the genre. Like the zany, hip radio station you've always longed for and will never get, in Rushmore's world the Kinks' 1964 unplugged Kinda Kinks gem "Nothing in This World Can Stop Me Worrying About That Girl" can peacefully coexist with the happy lounge of Unit 4+2, and French crooner Yves Montand, or with Mark Mothersbaugh of Devo's instrumental curiosities. The young, jauntier Cat Stevens and Chad & Jeremy provide pep, and a live version of the Who's first mini rock opera, the title track of their 1966 second LP, A Quick One, locks neatly into a film where two so-different males compete for the same woman. OK, the collection isn't timeless. There aren't enough great songs here, and compiler Wes Anderson could have done better for the great-but-in-decline John Lennon and the also-past-their-prime Faces than the pleasant but pathetic-indulgent "Oh Yoko!" and nice but pedestrian "Ooh La La". But even here, Anderson errs on the side of the whimsical and unusual, precisely the qualities missing in the movies these days. In the end, it's his sense of fun that pervades this unpredictable assortment as much as it does the cinematic experience. Synchronicity at last!
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