Boards Of Canada / Tomorrow's Harvest
Artist Boards Of Canada
Album Title: Tomorrow's Harvest
Album Cover:
Primary Genre Electronic
Format CD
Released 06/11/2013
Label Warp Records
Catalog No WARPCD257
Bar Code No 8 01061 02572 4
Packaging Jewelcase
Tracks
1. Gemini (2:56)
2. Reach For The Dead (4:47)
3. White Cyclosa (3:13)
4. Jacquard Causeway (6:35)
5. Telepath (1:32)
6. Cold Earth (3:42)
7. Transmisiones Ferox (2:18)
8. Sick Times (4:16)
9. Collapse (2:49)
10. Palace Posy (4:05)
11. Split Your Infinities (4:28)
12. Uritual (1:59)
13. Nothing Is Real (3:52)
14. Sundown (2:16)
15. New Seeds (5:39)
16. Come To Dust (4:07)
17. Semena Mertvykh (3:30)
Date Acquired 12/11/2014
Personal Rating
Acquired from Amazon
Purchase Price 10.00

Web Links

All Music Guide Entry:
Bandcamp entry:
Discogs Entry:
MusicBrainz entry:
Wikipedia Entry:

Notes

Notes:
Issued in a 6-panel Digipak with a 16-page booklet.
℗2013 Warp Records Limited.
©2013 Warp Records Limited.
Warp Records, PO Box 25378, London, NW 5 1GI, U.K.
Made in EU.
Timestamps in the CD matrix are written after the mastering SID code.

Credits:
Artwork, Design – Marcus Eoin, Mike Sandison
Producer, Recorded By, Written-By – Marcus Eoin, Mike Sandison

Companies, etc.:
Phonographic Copyright ℗ – Warp Records Limited
Copyright © – Warp Records Limited
Published By – Warp Music
Recorded At – Hexagon Sun
Pressed By – MPO

Barcode and other Identifiers:
Barcode (Text): 8 01061 02572 4
Barcode (Scanned): 801061025724
Label Code: LC02070
Matrix / Runout: CA WARPCD257 @ 05/03/13 03 : 59 : 00 PM
Mastering SID Code: IFPI L039
Mould SID Code, stamped): IFPI 1262

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Analyzed Folder: Boards of Canada - Tomorrow's Harvest_dr.txt
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DR         Peak          RMS     Filename          
----------------------------------------------------------------------------------------------
DR12   -4.16 dB   -20.58 dB  01 - Gemini.aif      
DR09   -0.13 dB   -11.49 dB  02 - Reach For The Dead.aif  
DR11   -2.27 dB   -16.19 dB  03 - White Cyclosa.aif    
DR10   -0.13 dB   -11.96 dB  04 - Jacquard Causeway.aif    
DR10   -5.16 dB   -20.78 dB  05 - Telepath.aif        
DR11   -0.13 dB   -12.89 dB  06 - Cold Earth.aif      
DR14   -1.96 dB   -20.95 dB  07 - Transmisiones Ferox.aif  
DR11   -0.14 dB   -14.16 dB  08 - Sick Times.aif      
DR11   -6.55 dB   -21.93 dB  09 - Collapse.aif        
DR10   -0.14 dB   -11.73 dB  10 - Palace Posy.aif      
DR09   -0.13 dB   -11.44 dB  11 - Split Your Infinities.aif
DR10   -5.15 dB   -22.49 dB  12 - Uritual.aif      
DR08   -1.63 dB   -12.42 dB  13 - Nothing Is Real.aif      
DR10 -10.61 dB   -25.71 dB  14 - Sundown.aif      
DR09   -0.15 dB   -11.66 dB  15 - New Seeds.aif        
DR10   -0.14 dB   -11.95 dB  16 - Come To Dust.aif    
DR08   -7.24 dB   -18.16 dB  17 - Semena Mertvykh.aif      
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Number of Files: 17
Official DR Value: DR10
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Reviews
All Music Guide Review by Heather Phares :

With long-awaited returns by David Bowie, My Bloody Valentine, the Knife, and Daft Punk in just the first few months, 2013 was already the year of the comeback when Boards of Canada resurfaced. Despite the fact it had been seven years since their last release, the Trans Canada Highway EP, and eight since their last full-length, the uneven Campfire Headphase, upon hearing Tomorrow's Harvest, it almost feels like the duo never went away. Unlike some of the work by their returning contemporaries, the album doesn't reveal any dramatic changes; this is undeniably the work of Boards of Canada, filled with the melancholy melodies and subtly edgy rhythms they've been pursuing since the late '90s. Not that Tomorrow's Harvest sounds dated; actually, there are hints throughout it that the duo paid attention to the goings-on in electronic music during their hiatus. The uneasy mood and tight arpeggios that dominate songs like "White Cyclosa" recall Oneohtrix Point Never as much as their own catalog, while the unsettled low end that wobbles on "Split Your Infinitives" nods to dubstep (of the Burial variety, not the kind that filled stadiums). Since that style's originators made music that was nearly as understated yet evocative as their own, it makes sense that Boards of Canada would borrow from them, but most of Tomorrow's Harvest underscores that the duo still exists in its own world. If The Campfire Headphase tried to move forward as well as recapture the feel of Music Has the Right to Children -- and ended up doing neither especially well -- then this album could be seen as streamlined successor to Geogaddi. These songs may even offer a more balanced journey than that album did as they move from gentle unease to simmering dread and back again; "Reach for the Dead," the track the brothers chose to introduce this phase of their music, does both. Attention-getting tracks like "Jacquard Causeway," which announces itself with an analog fanfare that harks back to '70s documentaries, and the strangely stately pop of "Palace Posy," which could be a hit single if Boards of Canada were into that kind of thing, are surrounded by vignettes that loom and lurk, like "Telepath"'s eerie muttering and "Collapse"'s far-off crashes. The most notable change on Tomorrow's Harvest may be that the past it evokes feels colder and less innocent than previous reveries; this time, looking back is as much about nostalgia as it is making sure the duo hasn't conjured up something creepy behind you on "Cold Earth" or "Nothing Is Real." This chilly refinement may make the album a more intellectual pleasure than Boards of Canada's earlier albums, but it's a masterfully crafted work that feels like a natural progression for them. While this might not sound particularly exciting on paper, the consistent excellence of Tomorrow's Harvest is as comforting as a collection of quietly menacing android fever dreams like these could possibly be.
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