Led Zeppelin / Presence (Deluxe CD Edition)
Artist Led Zeppelin
Album Title: Presence (Deluxe CD Edition)
Album Cover:
Primary Genre Rock: Classic Rock
Format CD (2)
Released 03/31/1976
Reissue Date 07/31/2015
Label Atlantic Recording Corporation
Catalog No R2-547434
Bar Code No 0 81227 95573 1
Reissue Yes
Remastered Yes
Packaging Cardboard Triple Gatefold
Tracks
Presence (Deluxe CD Edition) (Disc 1)
1. Achilles Last Stand (10:30)
2. For Your Life (6:25)
3. Royal Orleans (2:59)
4. Nobody's Fault But Mine (6:27)
5. Candy Store Rock (4:11)
6. Hots On For Nowhere (4:44)
7. Tea For One (9:25)
Presence (Deluxe CD Edition) (Disc 2) (Companion Audio)
1. Two Ones Are Won (Achilles Last Stand) (10:28)
2. For Your Life (6:28)
3. 10 Ribs & All / Carrot Pod Pod (Pod) (6:49)
4. Royal Orleans (3:00)
5. Hots On For Nowhere (4:44)
Date Acquired 08/15/2015
Personal Rating
Acquired from Electric Fetus - Duluth
Purchase Price 16.99

Web Links

All Music Guide Entry:
Discogs Entry:
Musicbrainz Entry:

Notes

Released in a three-panel cardboard sleeve, including a 16-page booklet.

Recorded and mixed at Musicland Studios, Munich, West Germany.

CD1: original album released by Swan Song on April 6, 1976.

CD2: reference mixes of work in progress. Tracks 2-1, 2-4 and 2-5 recorded on November 12, 1975; track 2-2 recorded on November 20, 1975; track 2-3 recorded on November 17, 1975. Mixed on November 23, 1975.

Remastered and produced by Jimmy Page

foobar2000 1.3.6 / Dynamic Range Meter 1.1.1
log date: 2015-08-18 22:17:17

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Analyzed: Led Zeppelin / Presence
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DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR10      -0.11 dB   -11.90 dB     10:32 01-Achilles Last Stand
DR12      -0.40 dB   -13.87 dB      6:25 02-For Your Life
DR10      -0.20 dB   -11.54 dB      2:59 03-Royal Orleans
DR10      -0.21 dB   -12.21 dB      6:28 04-Nobody's Fault But Mine
DR10      -0.06 dB   -11.66 dB      4:11 05-Candy Store Rock
DR10      -0.16 dB   -11.19 dB      4:44 06-Hots on for Nowhere
DR10       0.00 dB   -12.83 dB      9:28 07-Tea for One
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Number of tracks:  7
Official DR value: DR10

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           913 kbps
Codec:             FLAC
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foobar2000 1.3.6 / Dynamic Range Meter 1.1.1
log date: 2015-08-18 22:16:40

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Analyzed: Led Zeppelin / Presence, Disc 2
--------------------------------------------------------------------------------

DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR11      -0.18 dB   -12.63 dB     10:29 01-Two Ones Are Won (Achilles Last Stand) (reference mix)
DR11      -0.29 dB   -12.55 dB      6:28 02-For Your Life (reference mix)
DR12      -0.25 dB   -15.93 dB      6:49 03-10 Ribs & All/Carrot Pod Pod (Pod) (reference mix)
DR12      -0.29 dB   -13.39 dB      3:01 04-Royal Orleans (reference mix)
DR11      -0.29 dB   -12.77 dB      4:47 05-Hots On for Nowhere (reference mix)
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Number of tracks:  5
Official DR value: DR11

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           950 kbps
Codec:             FLAC
================================================================================

Reviews
All Music Guide Review:

Review by Stephen Thomas Erlewine  [-]
Created at a time of intense turmoil for Led Zeppelin -- they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 -- Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines -- he recorded many of the vocals while in a wheelchair -- Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog. This dichotomy means it feels like Presence sprawls as wildly as Physical Graffiti even though it's half its length: the four epics tend to overshadow the trio of lean rockers that really do hark back to the Chess boogie and rockabilly that informed Zeppelin's earliest work. Each of these three -- "Royal Orleans," "Candy Store Rock," "Hots on for Nowhere" -- plays as snappily as the throwaways on the second half of Physical Graffiti, containing a sexy insouciance; the band almost seems to shrug off how catchy Page's riffs and how thick the grooves of John Bonham and John Paul Jones actually are. No matter how much fun this triptych is, they're lost underneath the shadow of "Achilles Last Stand," a ten-minute exercise in self-styled moody majesty and the turgid blues crawl of closer "Tea for One." In between, there are two unalloyed masterpieces that channel all of the pain of the period into cinematic drama: a molten blues called "Nobody's Fault But Mine" and "For Your Life," as sharp, cinematic, and pained as Zeppelin ever were. Added together, Presence winds up as something less than the sum of its parts but its imbalance also means that it's a record worth revisiting; it seems different upon each revisit and is always compelling.
[Led Zeppelin launched a massive, Jimmy Page-supervised reissue campaign in 2014, where each of their studio albums was remastered and then expanded with a bonus disc of alternate versions (in the case of the super deluxe editions, they were also supplemented by vinyl pressings, download codes for high-resolution digital audio files, and massive hardcover books). The deluxe editions of Presence arrived in the summer of 2015, accompanied by a five-track bonus disc, all but one a reference mix of a song from the album. The ringer is "10 Ribs & All/Carrot Pod Pod (Pod)," a lengthy instrumental whose first section is dedicated to a nicely moody piano part and whose second sees the full band come in to flesh out a pretty piece that sees no real room for melody. It feels incomplete but the references mixes of "Two Ones Are Won" (an alternate title for "Achilles Last Stand"), "For Your Life," "Royal Orleans," and "Hots on for Nowhere" are essentially finished; some of the guitar feels drier, some of the vocals feel slightly different (or in the case of "Royal Orleans," where Plant adopts a cartoonish growl, quite different), but the songs are in place, so these aren't huge revelations.]
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