David Bowie / Young Americans
Artist David Bowie
Album Title: Young Americans
Album Cover:
Primary Genre Rock
Format CD
Released 03/07/1975
Reissue Date 05/10/1991
Label Rykodisc
Catalog No RCD 10140
Bar Code No 0 14431-0140-2 4
Reissue Yes
Remastered Yes
Packaging Jewelcase
Tracks
1. Young Americans (5:10)
2. Win (4:44)
3. Fascination (5:43)
4. Right (4:13)
5. Somebody Up There Likes Me (6:30)
6. Across The Universe (4:30)
7. Can You Hear Me (5:04)
8. Fame (4:12)
9. Who Can I Be Now? (Previously Unreleased Track From 1974) (4:36)
10. It's Gonna Be Me (Previously Unreleased Track From 1974) (6:27)
11. John, I'm Only Dancing Again (Single A-side Recorded 1974) (6:57)
Date Acquired 01/22/2016
Personal Rating
Acquired from AlbumsOnTheHill (Amazon)
Purchase Price 13.94

Web Links

All Music Guide Entry:
Discogs Entry:
Music Brainz Entry:

Notes

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2016-01-22 19:57:41

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Analyzed: David Bowie / Young Americans
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DR         Peak         RMS     Duration Track
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DR12       0.00 dB   -13.99 dB      5:14 01-Young Americans
DR10      -4.00 dB   -16.91 dB      4:49 02-Win
DR12       0.00 dB   -13.57 dB      5:51 03-Fascination
DR13      -1.68 dB   -16.39 dB      4:21 04-Right
DR11       0.00 dB   -13.55 dB      6:35 05-Somebody Up There Likes Me
DR11       0.00 dB   -13.99 dB      4:33 06-Across the Universe
DR12      -1.95 dB   -16.72 dB      5:08 07-Can You Hear Me
DR13      -0.10 dB   -15.68 dB      4:20 08-Fame
DR11      -0.10 dB   -13.75 dB      4:39 09-Who Can I Be Now?
DR13      -2.44 dB   -18.42 dB      6:30 10-It's Gonna Be Me
DR12      -0.01 dB   -14.20 dB      6:59 11-John, I'm Only Dancing Again
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Number of tracks:  11
Official DR value: DR12

Samplerate:        44100 Hz
Channels:          2
Bits per sample:   16
Bitrate:           1028 kbps
Codec:             FLAC
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Reviews
Review by Stephen Thomas Erlewine:

David Bowie had dropped hints during the Diamond Dogs tour that he was moving toward R&B, but the full-blown blue-eyed soul of Young Americans came as a shock. Surrounding himself with first-rate sessionmen, Bowie comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate, Bowie sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album -- it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul. What does hurt the record is a lack of strong songwriting. "Young Americans" is a masterpiece, and "Fame" has a beat funky enough that James Brown ripped it off, but only a handful of cuts ("Win," "Fascination," "Somebody up There Likes Me") comes close to matching their quality. As a result, Young Americans is more enjoyable as a stylistic adventure than as a substantive record.
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