The Motels / Careful
Artist The Motels
Album Title: Careful
Album Cover:
Primary Genre Rock: New Wave
Format Vinyl
Released 00/00/1980
Label Capitol Records, Inc.
Catalog No ST-12070
Bar Code No 0 7777-12070-1
Packaging LP Sleeve
Tracks
A1. Danger (3:22)
A2. Envy (3:23)
A3. Careful (3:26)
A4. Bonjour Baby (3:36)
A5. Party Professionals (3:13)
B1. Days Are O.K. (3:30)
B2. Cry Baby (3:24)
B3. Whose Problem? (3:47)
B4. People, Places And Things (2:42)
B5. Slow Town (4:14)
Date Acquired 06/09/2018
Personal Rating
Acquired from Electric Fetus - Duluth
Purchase Price 3.19

Web Links

All Music Guide entry:
Discogs entry:
MusicBrainz entry:

Notes

℗© 1980 Capitol Records, Inc.
Original Jacksonville Pressing with alternate label design.
Art Direction – Henry Marquez, Roy Kahara
Bass – Michael Goodroe
Drums – Brian Glascock
Engineer [Assistant] – Richard McKernan
Guitar – Tim McGovern
Guitar, Vocals – Martha Davis
Keyboards, Saxophone – Marty Jourard
Management – Ken Fritz Management
Management [Direction] – Dennis Turner, Ken Fritz
Painting [Cover] – Duggie Fields
Photography By – George Holz
Producer – Carter
Written-By – M. Davis* (tracks: A1, A5, B3 to B5), M. Jourard (tracks: A2 to A4, B2), M. Goodroe (tracks: A2 to A4, B2), T. McGovern (tracks: A1, B1)
Mastered At – Capitol Mastering
Pressed By – Capitol Records Pressing Plant, Jacksonville
Manufactured By – Capitol Records, Inc.
Phonographic Copyright (p) – Capitol Records, Inc.
Matrix / Runout (A Side Etch exc 0, "...Capitol" stamps): ST-1-12070-F1 ᴍᴀsᴛᴇʀᴇᴅ ʙʏ ᴄᴀᴘɪᴛᴏʟ 0
Matrix / Runout (B Side Etch exc 0, "...Capitol" stamps): ST-2-12070-F1 ᴍᴀsᴛᴇʀᴇᴅ ʙʏ ᴄᴀᴘɪᴛᴏʟ 0
Rights Society (A2, B1): ASCAP
Rights Society (A1, A5, B3-5): BMI
Barcode (Print): 0 7777-12070-1
Barcode (Scan; Format: UPC_A): 077771207013

Reviews
AllMusic Review by Tom Demalon:

With their second release, the Motels make steps toward a more seamless style of new wave-inflected pop. Careful kicks off with the perky, sax-driven "Danger," and there are more hits than misses. The lyrics still lean toward the darker side as on the moody, watercolor melody of the title track, but there are also moments that are pop gems like the Europop-styled "Bonjour Baby," the midtempo rock of "Days Are O.K. (But the Nights Were Made for Love), which features the album's catchiest hook, and the uptempo "Cry Baby." Martha Davis, with her distinctive vocals, is still the band's trump card, but this time around the band gives her a little more backing.
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