| Artist |
Doves |
| Album Title: |
The Last Broadcast |
| Album Cover: |
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| Primary Genre |
Alternative & Punk: Brit Pop |
| Format |
CD |
| Released |
04/29/2002 |
| Reissue Date |
06/04/2002 |
| Label |
Capitol Records, Inc./Heavenly Recordings |
| Catalog No |
CDP 7243 8 12232 22 |
| Bar Code No |
7 2438-12232-2 2 |
| Packaging |
Jewelcase |
| Tracks |
| 1.
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Intro (1:17)
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| 2.
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Words (5:42)
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| 3.
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There Goes The Fear (6:54)
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| 4.
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M62 Song (3:48)
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| 5.
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Where We're Calling From (1:24)
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| 6.
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N.Y. (5:46)
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| 7.
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Satellites (6:50)
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| 8.
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Friday's Dust (3:35)
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| 9.
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Pounding (4:45)
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| 10.
|
Last Broadcast (3:22)
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| 11.
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The Sulphur Man (4:37)
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| 12.
|
Caught By The River (5:55)
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| Date Acquired |
11/11/2002 |
| Personal Rating |
 |
| Acquired from |
CDNow |
| Purchase Price |
14.49 |
Web Links |
All Music Guide Entry:
Discogs Entry: |
| Reviews |
All Music Guide Review:
Review by MacKenzie Wilson
When Doves issued Lost Souls in fall 2000, Britpop was immersed in its melodic gloom-and-doom era, ushered in by the success of Radiohead. The likes of Coldplay, Travis, Elbow, and Starsailor followed in their wake, as did Doves. What separated Doves from the rest was a glint of passion, evident on their 2000 debut, Lost Souls. Two years later, the atmospheric dreamscapes of Lost Souls were torn asunder for the musical daybreak of The Last Broadcast. As it turns out, the psychedelic vibrancy of "Catch the Sun," the brightest track on the album, pointed toward this brave second record. Gone are the hazy space rock trips and the cheerless attitudes; Doves are on the sunny side of the street for The Last Broadcast. The seven-minute sonic boom of "There Goes the Fear" finds Jimi Goodwin sharing vocals with Jez and Andy Williams for a glorious chorus. Each of them switches up vocal duties throughout, lending a joyous feel to the album itself. From the bold front of "Words" to the fiery momentum of "Pounding," The Last Broadcast shows a refreshing rawness that was absent before. The High Llamas' Sean O'Hagan delivers sweeping orchestral arrangements for the sublime "Friday's Dust," while the electronic dewdrops of "The Sulphur Man" push Doves' divine ambience further to the front.Doves were caught up in making grand compositions on Lost Souls, which worked fabulously, but it was too much. They've stripped down to the basics, letting the optimism of The Last Broadcast take center stage. It's a brilliant moment.
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| Cover 1 |
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| Cover 2 |
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| Cover 3 |
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| Cover 4 |
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| Cover 5 |
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