Warren Zevon / The Wind
Artist Warren Zevon
Album Title: The Wind
Album Cover:
Primary Genre Rock
Format CD
Released 08/26/2003
Label Artemis Records
Catalog No ATM-CD-51156
Bar Code No 6 99675-1156-2 3
Packaging Jewelcase
Tracks
1. Dirty Life and Times (3:10)
2. Disorder in the House (4:35)
3. Knockin' On Heaven's Door (4:15)
4. Numb as a Statue (4:10)
5. She's Too Good for Me (3:10)
6. Prison Grove (4:45)
7. El Amor De Mi Vida (3:50)
8. The Rest of the Night (5:00)
9. Please Stay (3:30)
10. Rub Me Raw (5:43)
11. Keep Me in Your Heart (3:28)
Date Acquired 11/19/2022
Personal Rating
Acquired from Trace_Blends (Discogs)
Purchase Price 3.00

Web Links

All Music Guide Entry:
Discogs Entry:
MusicBrainz entry:
Wikipedia Entry:

Notes

Notes:
℗ © 2003 Sheridan Square Entertainment, LLC.
Printed in the USA.
Warren Zevon's last album, released shortly before he died of terminal lung cancer on September 7, 2003.

Credits:
Art Direction – Hugh Brown
Engineer – Noah Scot Snyder
Engineer [Additional Engineering By] – Greg Hayes, Jim Michell, Joe West, Steve Churchyard
Executive-Producer – Brigette Barr, Jordan Zevon
Legal – Ken Anderson, Loeb & Loeb
Management – Azoffmusic Management, Brigette Barr, Irving Azoff
Management [Business] – Britt Pahan, Gelfand, Rennert & Feldman, Bill Harper
Mastered By – Stephen Marcussen
Mixed By – Noah Scot Snyder
Photography By [Cover Photograph] – Matthew Ralston
Producer – Jorge Calderón, Noah Scot Snyder, Warren Zevon

Companies, etc.:
Marketed By – Artemis Records
Distributed By – Koch Entertainment Distribution LLC
Manufactured By – Artemis Records
Phonographic Copyright ℗ – Sheridan Square Entertainment, LLC
Copyright © – Sheridan Square Entertainment, LLC
Pressed By – WEA Mfg. Olyphant
Published By – Zevon Music
Published By – Googolplex Music
Published By – Ram's Horn Music
Recorded At – Cherokee Studios
Recorded At – Anatomy Of A Headache
Recorded At – Sunset Sound
Recorded At – The Cave
Recorded At – Groove Masters
Recorded At – Henson Recording Studios
Recorded At – Fancyboy Studios
Recorded At – Masterlink Studio
Mixed At – Cherokee Studios
Mastered At – Marcussen Mastering
Glass Mastered At – WEA Mfg. Olyphant – Y21655

Barcode and other Identifiers:
Barcode (Text): 6 99675-1156-2 3
Barcode (Scanned): 0699675115623
Mastering SID Code (All Variants): ifpi L903
Matrix / Runout: wea mfg. OLYPHANT Y21655 A2 51156-2 02
Mould SID Code: IFPI 2US3

-----------------------------------------------------------------
Analyzed Folder: Warren Zevon - The Wind_dr.txt
-----------------------------------------------------------------
DR       Peak         RMS       Filename            
-----------------------------------------------------------------
DR6   -0.02 dB   -07.69 dB   01 - Dirty Life And Times.aif
DR7   -0.02 dB   -08.55 dB   02 - Disorder In The House.aif
DR7   -0.20 dB   -08.63 dB   03 - Knockin' On Heaven's Door.aif
DR7   -0.20 dB   -08.13 dB   04 - Numb As A Statue.aif    
DR6   -1.01 dB   -09.35 dB   05 - She's Too Good For Me.aif
DR5   -0.20 dB   -09.13 dB   06 - Prison Grove.aif    
DR9   -1.01 dB   -11.75 dB   07 - El Amor De Mi Vida.aif  
DR6   -0.27 dB   -07.60 dB   08 - The Rest Of The Night.aif
DR7   -0.33 dB   -09.54 dB   09 - Please Stay.aif    
DR6   -0.49 dB   -07.80 dB   10 - Rub Me Raw.aif      
DR8   -0.02 dB   -09.66 dB   11 - Keep Me In Your Heart.aif
-----------------------------------------------------------------
Number of Files: 11
Official DR Value: DR7
-----------------------------------------------------------------

Reviews
All Music Guide Review by Mark Deming:

In late August of 2002, Warren Zevon was diagnosed with mesothelioma, a virulent and inoperable form of lung cancer; with his life expectancy expected to be no more than a few months, Zevon focused his dwindling energies on completing a final album, and The Wind, released a year after Zevon learned of his condition, was the result. With a back story like that, it's all but impossible to ignore the subtext of Zevon's mortality while listening to The Wind, though, thankfully, he's opted not to make an album about illness or death (ironically, he already did that with 2000's Life'll Kill Ya) or create a musical last will and testament. While The Wind occasionally and obliquely touches on Zevon's illness -- most notably the mournful "Keep Me in Your Heart" and the dirty blues raunch of "Rub Me Raw" -- in many ways it sounds like a fairly typical Warren Zevon album, though of course this time out the caustic wit cuts a bit deeper, the screeds against a world gone mad sound more woeful, and the love songs suggest higher emotional stakes than before. The Wind also lays in a higher compliment of celebrity guest stars than usual, and while obviously a lot of these folks are old friends wanting to help a pal in need, in some cases the ringers help to carry the weight for Zevon, who, while in good voice, can't summon up the power he did in his salad days. And remarkably, the trick works on several cuts; Bruce Springsteen's rollicking guest vocal on "Disorder in the House" offers just the kick the tune needed, Tom Petty's laid-back smirk brings a sleazy undertow to "The Rest of the Night," and Dwight Yoakam's harmonies on "Dirty Life and Times" are the perfect touch for the tune. In terms of material, The Wind isn't a great Zevon album, but it's a pretty good one; "El Amour de Mi Vida" is a simple but affecting look at lost love, "Prison Grove" is a superior character piece about life behind bars, and "Numb as a Statue," "Disorder in the House," and "Dirty Life and Times" prove the prospect of imminent death hasn't alleviated Zevon's cynicism in the least. (It's hard to say if he's being sincere or darkly witty with his cover of "Knockin' on Heaven's Door," though he manages to make it work both ways.) And the assembled musicians -- among them Ry Cooder, David Lindley, Joe Walsh, Don Henley, and Jim Keltner -- serve up their best licks without taking the show away from Zevon, who, despite his obvious weakness, firmly commands the spotlight. The Wind feels less like a grand final statement of Warren Zevon's career than one last walk around the field, with the star nodding to his pals, offering a last look at what he does best, and quietly but firmly leaving listeners convinced that he exits the game with no shame and no regrets. Which, all in all, is a pretty good way to remember the guy.
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