Lou Reed / Coney Island Baby
Artist Lou Reed
Album Title: Coney Island Baby
Album Cover:
Primary Genre Rock: Classic Rock
Format AIFF 24.96
Released 02/00/1976
Label RCA
Catalog No NONE
Bar Code No None
Packaging Download
Tracks
1. Crazy Feeling (2:54)
2. Charley's Girl (2:39)
3. She's My Best Friend (6:00)
4. Kicks (6:02)
5. A Gift (3:45)
6. Ooohhh Baby (3:46)
7. Nobody's Business (3:48)
8. Coney Island Baby (6:35)
Date Acquired 05/08/2023
Personal Rating
Acquired from Qobuz
Purchase Price 7.09

Web Links

All Music Guide Entry:
Discogs Entry:
MusicBrainz entry:

Notes

Notes:
Recorded, mixed, and mastered at Mediasound, New York.

Credits:
Backing Vocals – Godfrey Diamond, Lou Reed, Michael Wendroff
Design, Photography By – Mick Rock
Drums – Michael Suchorsky
Electric Bass, Acoustic Bass – Bruce Yaw
Engineer – Godfrey Diamond
Guitar – Bob Kulick
Guitar, Piano, Vocals, Written-By – Lou Reed
Mastered By – Jose Rodriguez*
Mixed By – Godfrey Diamond, Lou Reed, Michael Wendroff
Producer – Godfrey Diamond, Lou Reed
Recorded By – José Rodriguez

Companies, etc.:
Phonographic Copyright ℗ – RCA Records
Manufactured By – RCA Ltd.
Published By – Sunbury Music Ltd.
Printed By – Garrod & Lofthouse Ltd.
Made By – Garrod & Lofthouse Ltd.
Recorded At – Mediasound
Mixed At – Mediasound
Mastered At – Mediasound

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Analyzed Folder: Lou Reed - Coney Island Baby_dr.txt
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DR       Peak         RMS      Filename            
--------------------------------------------------------------------
DR8   -0.29 dB   -10.36 dB  01 - Crazy Feeling.aif  
DR8   -0.29 dB   -10.39 dB  02 - Charley's Girl.aif      
DR7   -0.60 dB   -10.38 dB  03 - She's My Best Friend.aif
DR8   -0.29 dB   -11.72 dB  04 - Kicks.aif      
DR9   -0.29 dB   -12.50 dB  05 - A Gift.aif          
DR8   -0.29 dB   -10.29 dB  06 - Ooohhh Baby.aif    
DR7   -0.29 dB   -11.35 dB  07 - Nobody's Business.aif    
DR8   -0.29 dB   -12.25 dB  08 - Coney Island Baby.aif    
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Number of Files: 8
Official DR Value: DR8
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Reviews
All Music Guide Review by Mark Deming

From 1972's Transformer onward, Lou Reed spent most of the '70s playing the druggy decadence card for all it was worth, with increasingly mixed results. But on 1976's Coney Island Baby, Reed's songwriting began to move into warmer, more compassionate territory, and the result was his most approachable album since Loaded. On most of the tracks, Reed stripped his band back down to guitar, bass, and drums, and the results were both leaner and a lot more comfortable than the leaden over-production of Sally Can't Dance or Berlin. "Crazy Feeling," "She's My Best Friend," and "Coney Island Baby" found Reed actually writing recognizable love songs for a change, and while Reed pursued his traditional interest in the underside of the hipster's life on "Charlie's Girl" and "Nobody's Business," he did so with a breezy, freewheeling air that was truly a relief after the lethargic tone of Sally Can't Dance. "Kicks" used an audio-tape collage to generate atmospheric tension that gave its tale of drugs and death a chilling quality that was far more effective than his usual blasé take on the subject, and "Coney Island Baby" was the polar opposite, a song about love and regret that was as sincere and heart-tugging as anything the man has ever recorded. Coney Island Baby sounds casual on the surface, but emotionally it's as compelling as anything Lou Reed released in the 1970s, and proved he could write about real people with recognizable emotions as well as anyone in rock music -- something you might not have guessed from most of the solo albums that preceded it.

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