Section 25 / Always Now
Artist Section 25
Album Title: Always Now
Album Cover:
Primary Genre Alternative
Format CD (2)
Released 09/00/1981
Reissue Date 03/00/2015
Label Factory Benelux
Catalog No FBN 3-045 CD
Bar Code No 708527003480
Packaging Cardboard
Tracks
Always Now (Disc 1)
1. Friendly Fires (3:12)
2. Dirty Disco (5:20)
3. C.P. (2:24)
4. Loose Talk (Costs Lives) (2:48)
5. Inside Out (2:59)
6. Melt Close (2:54)
7. Hit (2:58)
8. Babies in the Bardo (5:26)
9. Be Brave (4:41)
10. New Horizon (6:05)
11. Haunted (3:24)
12. Charnel Ground (3:51)
13. Human Puppets (2:55)
14. Knew Noise (4:45)
15. Up to You (4:15)
16. Girls Don't Count (4:29)
17. Oyo Achel Ada (4:24)
18. After Image (2:58)
19. Red Voice (1:59)
Always Now (Disc 2)
1. One True Path (Peel Session) (5:42)
2. Babies in the Bardo (Peel Session) (5:14)
3. Hit (Peel Session) (3:04)
4. Je Veux Ton Amour (7") (5:19)
5. Loose Talk (Costs Lives) (Live 26.10.1980) (3:23)
6. Human Puppets (Live 26.10.1980) (3:16)
7. Knew Noise (Live 26.10.1980) (3:45)
8. Friendly Fires (Live 26.10.1980) (4:26)
9. Girls Don't Count (Live 26.10.1980) (4:02)
10. New Horizon (Live 26.10.1980) (4:01)
11. Haunted (Live 26.10.1980) (2:36)
12. You're on Your Own (Live 1.11.1980) (4:09)
13. Floating (SSRU Demo) (4:22)
14. Friendly Fires (Outtake) (3:10)
15. One True Path (Outtake) (4:27)
Date Acquired 01/22/2024
Personal Rating
Acquired from DarlaDiscogs (Discogs)
Purchase Price 15.00

Web Links

All Music Guide Entry:
Discogs Entry:
MusicBrainz entry:
Wikipedia Entry:

Notes

Notes:
2015 Factory Benelux remastered 2CD edition. Comes in pochette wallet sleeve with card inner sleeves and 'I Ching' seal sticker.
Sticker on shrinkwrap reads:
Section 25 - Always Now
The classic 1981 postpunk album on Factory Records produced by Martin Hannett
Remastered 2xCD edition (34 tracks) with bonus singles, album outtakes, John Peel session and a complete live concert from 1980
Track 1-1 to 1-10
Originally released as the album Always Now (Fact 45) in September 1981.
Produced by at Britannia Row, London, February 1981.
Tracks 1-11 and 1-12
Released as a 7" single (Fac bn 3-2006) in October 1980.
Produced by at Cargo, Rochdale, summer 1980.
Track 1-13 is an outtake from Fact 45.
Track 1-14 to 1-16
Released as a 7" and 12" single (Fac 18) in July 1980.
Produced at Cargo, September 1979.
Track 1-17 released as a 7" single b-side (Fac bn 5) in August 1981, credits as Fact 45.
Track 1-18 released on the compilation album Hicks From the Sticks (Roc 111) in April 1980.
Produced at Cargo 1980.
Track 1-19 released on the 7" compilation EP Blackpool Rox (Drip 001) in August 1980.
Recorded at Singleton Street Rehearsal Unit (SSRU).
Tracks 2-1 to 2-3
Recorded for the John Peel show at Langham 1 on 13 January 1981.
Released under licence from BBC Wordwide.
Track 2-4 released as a 7" single (Fac bn 5) in August 1981, credits as Fact 45.
Tracks 2-5 to 2-11
Recorded live at the Vera club, Groningen, Netherlands on 26 October 1980.
Track 2-12 recorded live at the Paard Van Troje club, Den Haag, Netherlands, 1 November 1980.
Track 2-13 is a demo recorded at SSRU during the second half of 1981.
Tracks 2-14 and 2-15 are outtakes from Fact 45 featuring slight instrumental differences.

Credits:
Design [Original Album] – Grafica Industria
Engineer – John Caffrey (tracks: 1-1 to 1-10, 1-17, 2-4)
Layout [Revised Layout Adaptation] – Léigh @ Bit-Phalanx
Mixed By [Live Sound] – John Hurst (tracks: 2-5 to 2-12)
Producer – Bob Sergeant (tracks: 2-1 to 2-3), Ian Curtis (tracks: 1-14 to 1-16), Martin Hannett (tracks: 1-1 to 1-13, 1-17 to 1-1 to 1-12, 1-17, 1-18, 2-4, 2-14 to 2-15), Rob Gretton (tracks: 1-14 to 1-16)
Written-By [All Titles] – Larry Cassidy, Paul Wiggin, Vin Cassidy

Companies, etc.:
Recorded At – Britannia Row Studios
Produced At – Cargo Studios
Recorded At – SSRU
Produced For – The John Peel Show
Recorded At – Langham Studio
Licensed From – BBC Worldwide
Recorded At – Vera
Recorded At – Paard Van Troje
Published By – LTM Songs
Glass Mastered At – CDA – 165045
Glass Mastered At – CDA – 165046
Pressed By – CDA (4)

Barcode and other Identifiers:
Barcode: 708527003480
Matrix / Runout (CD1): 165045 CD AM-32020-Sect25-FBN3045CD1
Mastering SID Code (CD1): IFPI L623
Mould SID Code (CD1): IFPI 1G55
Matrix / Runout (CD2): 165046 CD AM-32020-Sect25-FBN3045CD2
Mastering SID Code (CD2): IFPI L623
Mould SID Code (CD2): IFPI 1G55
Other (Catalog number CD1): FBN 3-045 CD / 1
Other (Catalog number CD2): FBN 3-045 CD / 2


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Analyzed Folder: Section 25 - Always Now [Reissue]_dr.txt
----------------------------------------------------------------------------------------------
DR        Peak          RMS       Filename           
----------------------------------------------------------------------------------------------
DR07   -0.10 dB   -08.76 dB   01 - Friendly Fires.aif      
DR08   -0.10 dB   -09.15 dB   02 - Dirty Disco.aif    
DR08   -0.10 dB   -10.36 dB   03 - C.P..aif      
DR08   -0.10 dB   -10.14 dB   04 - Loose Talk (Costs Lives).aif
DR09   -0.10 dB   -11.57 dB   05 - Inside Out.aif      
DR10   -0.10 dB   -11.47 dB   06 - Melt Close.aif      
DR10   -0.10 dB   -12.06 dB   07 - Hit.aif        
DR08   -0.10 dB   -09.98 dB   08 - Babies In The Bardo.aif  
DR08   -0.10 dB   -09.42 dB   09 - Be Brave.aif        
DR10   -0.10 dB   -12.94 dB   10 - New Horizon.aif    
DR05   -0.10 dB   -06.82 dB   11 - Haunted.aif        
DR07   -0.10 dB   -08.79 dB   12 - Charnel Ground.aif      
DR09   -0.10 dB   -10.26 dB   13 - Human Puppets.aif  
DR08   -0.10 dB   -09.22 dB   14 - Knew Noise.aif      
DR06   -0.10 dB   -08.17 dB   15 - Up To You.aif      
DR08   -0.10 dB   -09.10 dB   16 - Girls Don't Count.aif    
DR13   -0.10 dB   -13.85 dB   17 - Oyo Achel Ada.aif  
DR10   -0.10 dB   -10.55 dB   18 - After Image.aif    
DR08   -0.10 dB   -08.68 dB   19 - Red Voice.aif      
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Number of Files: 19
Official DR Value: DR8
----------------------------------------------------------------------------------------------
----------------------------------------------------------------------------------------------
Analyzed Folder: Section 25 - Always Now - Disc 2_dr.txt
----------------------------------------------------------------------------------------------
DR         Peak         RMS       Filename            
----------------------------------------------------------------------------------------------
DR10   -0.45 dB   -12.12 dB   01 - One True Path (Peel Session).aif
DR07   -0.45 dB   -07.97 dB   02 - Babies in the Bardo (Peel Session).aif
DR08   -0.45 dB   -10.79 dB   03 - Hit (Peel Session).aif  
DR09   -0.45 dB   -10.65 dB   04 - Je Veux Ton Amour (7').aif
DR10   -0.64 dB   -13.47 dB   05 - Loose Talk (live 26.10.1980).aif
DR11   -0.64 dB   -13.46 dB   06 - Human Puppets (live 26.10.1980).aif
DR12   -0.64 dB   -14.40 dB   07 - Knew Noise (live 26.10.1980).aif
DR08   -0.45 dB   -10.57 dB   08 - Friendly Fires (live 26.10.1980).aif
DR10   -0.45 dB   -12.60 dB   09 - Girls Don't Count (live 26.10.1980).aif
DR09   -0.45 dB   -11.56 dB   10 - New Horizon (live 26.10.1980).aif
DR08   -0.45 dB   -09.63 dB   11 - Haunted (live 26.10.1980).aif
DR09   -0.45 dB   -11.50 dB   12 - You're On Your Own (live 1.11.1980).aif
DR09   -0.45 dB   -10.83 dB   13 - Floating (SSRU Demo).aif
DR10   -0.45 dB   -11.36 dB   14 - Friendly Fires (outtake).aif
DR14   -0.45 dB   -15.02 dB   15 - One True Path (outtake).aif
----------------------------------------------------------------------------------------------
Number of Files: 15
Official DR Value: DR10
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Reviews
All Music Guide Review by Andy Kellman:

Section 25's debut LP isn't a patch on the finer moments of their more famous labelmates, but for those who thrill on some of post-punk's late-'70s/early-'80s trademarks, it should go down with great ease. Skeletal instrumentation is the rule: detached vocals, guitar used mainly as hollow accent, undead bass, and driving midtempo rhythms with loads of hi-hat. Martin Hannett's production is fittingly heavy on the drums. Though the band was quickly accused of sounding much like the remainder of the Factory stable, their closest neighbor in sound was Public Image Ltd., most notably their second album. Any comparisons to PiL were agreed with, but it was argued that some of these songs had been kicking around before PiL committed their material to tape. Truth be told, only "Be Brave" and "Dirty Disco" (not to be confused with PiL's "Death Disco") deeply resemble their brethren, with the latter sounding like a direct lift off Metal Box. (Also notable is that Larry Cassidy's bass isn't dubwise, unlike Jah Wobble's -- it's duller.) Some of Always Now is prone to lifeless meandering. On the likes of "C.P." and "Inside Out," the band appears to be on the verge of nodding off; "Melt Close" suffers from a little too much slacking, too. Played at 45 rpm, it would sound really great. Regardless of its flaws (they might not even seem like flaws to some), it's strong. As part of the Factory reissue campaign through Les Temps Modernes in the late '90s, Always Now received a nifty facelift, including the Ian Curtis-produced "Girls Don't Count" single, assorted compilation contributions, and thorough liner notes.
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