Artist |
Grant Hart |
Album Title: |
Intolerance |
Album Cover: |
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Primary Genre |
Alternative |
Format |
CD |
Released |
12/12/1989 |
Label |
SST Records |
Catalog No |
SST CD 215 |
Bar Code No |
0 18861-0215-2 2 |
Packaging |
Jewelcase |
Tracks |
1.
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All Of My Senses (5:56)
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2.
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Now That You Know Me (3:56)
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3.
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Fanfare In D-Major (Come Come) (3:49)
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4.
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The Main (4:06)
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5.
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Twenty-Five Fourty-One (4:47)
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6.
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Roller Rink (4:25)
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7.
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You're The Victim (3:17)
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8.
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Anything (3:30)
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9.
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She Can See The Angels Coming (3:47)
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10.
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Reprise (1:42)
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Date Acquired |
03/08/1990 |
Personal Rating |
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Acquired from |
Down In The Valley |
Purchase Price |
10.60 |
Web Links |
All Music Guide entry; Discogs entry: MusicBrainz entry: |
Notes |
Engineer – Chopper Black, Tom Herbers
Producer – Grant V. Hart
Phonographic Copyright ℗ – SST Records
Copyright © – Nora/Hi-Art Music
Copyright © – Cesstone Music
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foobar2000 1.3.15 / Dynamic Range Meter 1.1.1
log date: 2017-12-24 21:20:36
--------------------------------------------------------------------------------
Analyzed: Grant Hart / Intolerance
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
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DR11 -0.76 dB -14.29 dB 5:57 01-All of My Senses
DR09 -1.21 dB -11.78 dB 3:56 02-Now That You Know Me
DR10 -0.72 dB -13.17 dB 3:49 03-Fanfare in D Major (Come, Come)
DR10 -0.72 dB -14.68 dB 4:06 04-The Main
DR10 -0.89 dB -12.35 dB 4:47 05-Twenty-Five Forty-One
DR12 -1.18 dB -14.74 dB 4:26 06-Roller-Rink
DR13 -0.79 dB -16.73 dB 3:17 07-You're the Victim
DR11 -0.69 dB -14.99 dB 3:30 08-Anything
DR14 -2.14 dB -20.58 dB 3:47 09-She Can See the Angels Coming
DR11 -0.23 dB -15.23 dB 1:42 10-Reprise
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Number of tracks: 10
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 815 kbps
Codec: FLAC
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Reviews |
AllMusic Review by Stewart Mason:
Grant Hart's first full-length solo album after the breakup of Hüsker Dü, 1989's Intolerance is an eclectic, sometimes disorienting mishmash of styles that surprisingly works more often than not. From the psychedelic tape frenzy and carnival organ of the opening "All of My Senses" onwards, Hart largely disavows his punk roots in favor of a variety of late-'60s styles, including the Blonde on Blonde pastiche (complete with caterwauling harmonica) "Now That You Know Me" and the sneering Van Morrison shuffle "You're the Victim," one of several songs that seem to touch on the acrimonious breakup of Hüsker Dü. The harrowing "The Main" is a piano-led, almost gospel-like first-person chronology of drug addiction, one of the most vivid and personal songs Hart has ever written, while the remake of "2541," his pained remembrance of the band's old rehearsal space from his debut EP, gives the previously acoustic song a dose of electric rock & roll energy that suits it just fine. It didn't get the press attention of Bob Mould's much slicker Workbook, out around the same time, but Intolerance is probably the better album.
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Cover 1 |
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Cover 2 |
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Cover 3 |
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Cover 4 |
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Cover 5 |
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