| Artist |
Led Zeppelin |
| Album Title: |
Physical Graffiti |
| Album Cover: |
 |
| Primary Genre |
Rock: Classic Rock |
| Format |
CD (2) |
| Released |
02/24/1975 |
| Label |
Atlantic Recording Corporation |
| Catalog No |
A2-200 |
| Bar Code No |
0 7567-90302-2 1 |
| Packaging |
Jewelcase |
| Tracks |
| Physical Graffiti [disc 1] |
| 1.
|
Custard Pie (4:15)
|
| 2.
|
The Rover (5:38)
|
| 3.
|
In My Time Of Dying (11:04)
|
| 4.
|
Houses Of The Holy (4:04)
|
| 5.
|
Trampled Under Foot (5:38)
|
| 6.
|
Kashmir (8:33)
|
|
| Physical Graffiti [disc 2] |
| 1.
|
In The Light (8:50)
|
| 2.
|
Bron-Yr-Aur (2:06)
|
| 3.
|
Down By The Seaside (5:16)
|
| 4.
|
Ten Years Gone (6:34)
|
| 5.
|
Night Flight (3:38)
|
| 6.
|
The Wanton Song (4:09)
|
| 7.
|
Boogie With Stu (3:53)
|
| 8.
|
Black Country Woman (4:32)
|
| 9.
|
Sick Again (4:43)
|
|
| Date Acquired |
06/06/1988 |
| Personal Rating |
 |
| Acquired from |
Down In The Valley |
| Purchase Price |
22.00 |
Web Links |
All Music Guide Entry:
Discogs Entry: |
Notes |
Roy Harper - Photography
Jimmy Page - Guitar, Producer, Remastering
Robert Plant - Harmonica, Vocals
John Paul Jones - Bass, Keyboards, Mellotron
John Bonham - Drums
George Chkiantz - Engineer
Peter Grant - Producer, Executive Producer
Keith Harwood - Engineer, Mixing
Andy Johns - Engineer
Eddie Kramer - Engineer, Mixing
George Marino - Remastering
Ron Nevison - Engineer
Ian Stewart - Piano
Mike Doud - Artwork, Design, Cover Design
Peter Corriston - Artwork, Design, Cover Design
Elliot Erwitt - Photography
Dave Heffernan - Illustrations
B.P. Fallen - Photography
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-11-08 23:40:05
--------------------------------------------------------------------------------
Analyzed: Led Zeppelin / Physical Graffiti
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR15 0.00 dB -18.57 dB 4:15 01-Custard Pie
DR13 -2.46 dB -17.47 dB 5:39 02-The Rover
DR13 -0.92 dB -17.10 dB 11:04 03-In My Time of Dying
DR13 -0.26 dB -16.32 dB 4:04 04-Houses of the Holy
DR12 -0.76 dB -15.57 dB 5:38 05-Trampled Under Foot
DR13 -1.55 dB -18.09 dB 8:33 06-Kashmir
--------------------------------------------------------------------------------
Number of tracks: 6
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 844 kbps
Codec: FLAC
================================================================================
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2014-11-08 23:40:13
--------------------------------------------------------------------------------
Analyzed: Led Zeppelin / Physical Graffiti
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 -2.00 dB -20.17 dB 8:50 01-In the Light
DR11 -7.80 dB -24.30 dB 2:06 02-Bron-Yr-Aur
DR12 -1.54 dB -17.02 dB 5:17 03-Down by the Seaside
DR12 -1.45 dB -18.94 dB 6:35 04-Ten Years Gone
DR12 -0.99 dB -15.91 dB 3:38 05-Night Flight
DR13 -0.76 dB -16.63 dB 4:10 06-The Wanton Song
DR11 -5.61 dB -18.78 dB 3:53 07-Boogie With Stu
DR13 -1.41 dB -19.27 dB 4:33 08-Black Country Woman
DR12 -0.49 dB -16.34 dB 4:43 09-Sick Again
--------------------------------------------------------------------------------
Number of tracks: 9
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 872 kbps
Codec: FLAC
================================================================================
|
|
| Reviews |
All Music Guide Review:
Review by Stephen Thomas Erlewine
Led Zeppelin returned from a nearly two-year hiatus in 1975 with Physical Graffiti, a sprawling, ambitious double album. Zeppelin treat many of the songs on Physical Graffiti as forays into individual styles, only occasionally synthesizing sounds, notably on the tense, Eastern-influenced "Kashmir." With John Paul Jones' galloping keyboard, "Trampled Underfoot" ranks as their funkiest metallic grind, while "Houses of the Holy" is as effervescent as pre-Beatles pop and "Down by the Seaside" is the closest they've come to country. Even the heavier blues -- the 11-minute "In My Time of Dying," the tightly wound "Custard Pie," and the monstrous epic "The Rover" -- are subtly shaded, even if they're thunderously loud. Most of these heavy rockers are isolated on the first album, with the second half of Physical Graffiti sounding a little like a scrap heap of experiments, jams, acoustic workouts, and neo-covers. This may not be as consistent as the first platter, but its quirks are entirely welcome, not just because they encompass the mean, decadent "Sick Again," but the heartbreaking "Ten Years Gone" and the utterly charming acoustic rock & roll of "Boogie With Stu" and "Black Country Woman." Yes, some of this could be labeled as filler, but like any great double album, its appeal lies in its great sprawl, since it captures elements of the band's personality rarely showcased elsewhere -- and even at its worst, Physical Graffiti towers above its hard rock peers of the mid-'70s.
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| Cover 1 |
 |
| Cover 2 |
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| Cover 3 |
 |
| Cover 4 |
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| Cover 5 |
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