Thievery Corporation / Sounds From The Thievery Hi - Fi
Artist Thievery Corporation
Album Title: Sounds From The Thievery Hi - Fi
Album Cover:
Primary Genre Electronica/Dance: Trip Hop
Format CD
Released 06/07/1997
Label Eighteenth Street Lounge Music
Catalog No ESL005
Bar Code No 7 95103-0004-2 1
Packaging Jewelcase
Tracks
1. A Warning (Dub) (2:14)
2. 2001 Spliff Odyssey (5:06)
3. Snaolin Satellite (6:23)
4. Transcendence (4:06)
5. Universal Highness (4:21)
6. Incident At Gate 7 (6:28)
7. Mañha (3:48)
8. Scence At The Open Air Market (2:57)
9. The Glass Bead Game (6:11)
10. Encounter In Bahia (3:59)
11. The Foundation (5:38)
12. Interlude (2:22)
13. The Oscillator (4:14)
14. Assault On Babylon (4:25)
15. .38.45 (A Thievery Number) (5:06)
16. One (4:51)
Date Acquired 11/29/2001
Personal Rating
Acquired from Amazon
Purchase Price 16.00

Web Links

All Music Guide entry:
Discogs entry:
MusicBrainz entry:

Notes

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foobar2000 1.3.9 / Dynamic Range Meter 1.1.1
log date: 2017-02-28 02:25:17

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Analyzed: Thievery Corporation / Sounds From the Thievery Hi-Fi
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DR         Peak         RMS     Duration Track
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DR9        -0.43 dB   -12.17 dB      2:15 01-A Warning (Dub)
DR10      -0.10 dB   -11.91 dB      5:06 02-2001 Spliff Odyssey
DR10      -0.60 dB   -12.25 dB      6:24 03-Shaolin Satellite
DR11      -0.00 dB   -13.36 dB      4:07 04-Transcendence
DR13      -0.10 dB   -15.57 dB      4:22 05-Universal Highness
DR14      -0.10 dB   -16.72 dB      6:28 06-Incident at Gate 7
DR10      -1.11 dB   -12.60 dB      3:48 07-Mañha
DR15      -0.00 dB   -16.43 dB      2:57 08-Scene at the Open Air Market
DR10      -0.10 dB   -12.56 dB      6:12 09-The Glass Bead Game
DR12      -0.12 dB   -13.54 dB      4:00 10-Encounter in Bahia
DR13      -1.05 dB   -15.64 dB      5:38 11-The Foundation
DR10      -0.10 dB   -12.09 dB      2:22 12-Interlude
DR10      -0.10 dB   -11.51 dB      4:14 13-The Oscillator
DR6        -0.00 dB     -8.84 dB      4:26 14-Assault on Babylon
DR9        -0.10 dB   -10.33 dB      5:07 15-.38.45 (A Thievery Number)
DR11      -3.18 dB   -16.47 dB      4:52 16-One
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Number of tracks:  16
Official DR value:    DR11

Samplerate:             44100 Hz
Channels:                 2
Bits per sample:      16
Bitrate:                     403 kbps
Codec:                      FLAC
================================================================================

Reviews
All Music Guide Review by Cammila Collar:

Rare-groove duo Thievery Corporation may fall under the general classification of electronica, but their album Sounds from the Thievery Hi-Fi, like much of their music, is such a confluence of subgenres that techno fans might not find what they're looking for in it. This record is electronic in that nearly everything heard on it has been tweaked in the studio, but almost all of the actual synth sounds on Sounds from the Thievery Hi-Fi lie in the background. What carry each song are recordings of actual instruments, either live or sampled, mixed to create the arc of the specific track. Add a smattering of vocal samples, and the result is the love-child of Massive Attack and Mondo Grosso, a trip-hoppy, acid jazz mutant that will make you want to dance, have sex, or lounge by the pool (if you're not left walking in confused circles, trying to figure out which one). That seems to be the CD's only real weakness: the seams that bind the various influences involved in the music can be a bit ragged, leading to some songs that come off as awkward, rather than eclectic. The amalgamations throughout most of the disc are quite effective, however. The track "Scene at the Open Air Market," for instance, sounds like the melody is played on a xylophone, before switching to perhaps an accordion, eventually coming to sound like a mixture of lounge music, rhumba, and Eastern European folk -- but sexy. The samples of a man yelling reggae-style shout-outs during "2001 Spliff Odyssey," however, are mostly just distracting from the ultra-smooth groove, and can feel like interruptions. In the end, assuming that almost everyone who picks up Sounds from the Thievery Hi-Fi is a fan of trip-hop, acid jazz, club/dance, or electronica, then it is essentially a record for everybody. Its only real fault is that occasionally, it edges on being a record for nobody.
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