| Artist |
Rod Stewart |
| Album Title: |
Every Picture Tells A Story |
| Album Cover: |
 |
| Primary Genre |
Blues |
| Format |
Vinyl |
| Released |
04/04/2011 |
| Label |
Mobile Fidelity Sound Lab |
| Catalog No |
MOFI 1-010 |
| Bar Code No |
8 21797 10010 6 |
| Packaging |
LP Sleeve (Double) |
| Tracks |
| A1.
|
Every Picture Tells A Story (5:58)
|
| A2.
|
Seems Like A Long Time (4:00)
|
| A3.
|
That's All Right (6:02)
|
| A4.
|
Tomorrow Is A Long Time (3:44)
|
| B1.
|
Maggie May (5:46)
|
| B2.
|
Mandolin Wind (5:32)
|
| B3.
|
(I Know) I'm Losing You (5:22)
|
| B4.
|
Reason To Believe (4:07)
|
|
| Date Acquired |
01/09/2013 |
| Personal Rating |
 |
| Acquired from |
Music Direct (Musicdirect.Com) |
| Purchase Price |
24.99 |
Web Links |
All Music Guide Entry:
Discogs Entry: |
Notes |
Every Picture Tells a Story
Artist Rod Stewart
Album Title Every Picture Tells a Story
Date of Release 1971 (release) inprint
AMG Rating
Genre Rock
Tones Earnest, Exuberant, Amiable/Good-Natured, Earthy, Organic, Poignant, Rousing, Bittersweet, Passionate, Wistful, Raucous, Yearning
Styles Rock & Roll, Singer/Songwriter, Hard Rock, Folk-Rock, Pop/Rock, Album Rock
Time 40:31
CREDITS
Rod Stewart - Guitar (Acoustic), Guitar, Vocals, Producer
Ron Wood - Bass, Guitar, Guitar (Steel)
Pete Sears - Piano
Madeline Bell - Vocals, Vocals (bckgr)
Maggie Bell - Vocals (bckgr)
Ian McLagan - Organ
Sam Mitchell - Guitar, Slide Guitar
Dick Powell - Violin
Andy Pyle - Bass
Martin Quittenton - Guitar (Acoustic), Guitar
Mickey Waller - Drums
Danny Thompson - Bass
|
|
| Reviews |
All Music Guide Review:
Review by Stephen Thomas Erlewine
Without greatly altering his approach, Rod Stewart perfected his blend of hard rock, folk, and blues on his masterpiece, Every Picture Tells a Story. Marginally a harder-rocking album than Gasoline Alley -- the Faces blister on the Temptations cover "(I Know I'm) Losing You," and the acoustic title track goes into hyper-drive with Mick Waller's primitive drumming -- the great triumph of Every Picture Tells a Story lies in its content. Every song on the album, whether it's a cover or original, is a gem, combining to form a romantic, earthy portrait of a young man joyously celebrating his young life. Of course, "Maggie May" -- the ornate, ringing ode about a seduction from an older woman -- is the centerpiece, but each song, whether it's the devilishly witty title track or the unbearably poignant "Mandolin Wind," has the same appeal. And the covers, including definitive readings of Bob Dylan's "Tomorrow Is Such a Long Time" and Tim Hardin's "Reason to Believe," as well as a rollicking "That's All Right," are equally terrific, bringing new dimension to the songs. It's a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music -- few rock albums are quite this powerful or this rich.
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| Cover 1 |
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