The War On Drugs / Lost In The Dream
Artist The War On Drugs
Album Title: Lost In The Dream
Album Cover:
Primary Genre Alternative & Punk: Indie
Format Vinyl (2)
Released 03/18/2014
Label Secretly Canadian Records
Catalog No SC310
Bar Code No 6 5660-50310-4 0
Packaging Gatefold LP Sleeve
Tracks
Lost In The Dream (Disc 1)
A1. Under The Pressure (8:51)
A2. Red Eyes (4:59)
A3. Suffering (6:01)
B1. An Ocean In Between The Waves (7:11)
B2. Disappearing (6:51)
Lost In The Dream (Disc 2)
A1. Eyes To The Wind (5:54)
A2. The Haunting Idle (3:07)
A3. Burning (5:48)
B1. Lost In The Dream (4:09)
B2. In Reverse (7:41)
Date Acquired 09/23/2014
Personal Rating
Acquired from The Band At A Gig
Purchase Price 35.00

Web Links

Discogs Entry:

Notes

I bought this from the band at a gig at First Avenue.

(2) 33 1/3 RPM Purple Haze Vinyl LP's
©&? 2014 Secretly Canadian
All songs © 2014 Sea Formation Music ASCAP
Mixed at Rare Book Room Studios, Brooklyn, August-September 2013. "An Ocean in Between the Waves," "Disappearing" and "The Haunting Idle" mixed at Uniform Recording, Philadelphia, September-November 2013.
All songs recorded between August 2012 and November 2013 at Uniform Recording (Philly), Echo Mountain (Asheville, NC), Fidelitorium (Kornersville, NC), Rare Book Room (Brooklyn), Miner St (Philly), Water Music Hoboken), Public Hi-Fi (Austin), University of the Arts (Philly) and Adam's house in Philly.
Mastered at Sterling Sound, NYC.
Art Direction, Photography By [Back Polaroid + Additional Vibey Holga Photos] – Adam Granduciel
Design, Layout – Daniel Murphy
Engineer [Additional] – Adam Granduciel, Brad Bell, Jon Low, Michael Johnson, Nicolas Vernhes
Engineer [Assistant Mastering Engineer] – Steve Fallone
Engineer [Assistant Mix Engineer] – Gabe Wax (tracks: A1 to A3, B3, C1, C3 to D2)
Engineer [Assistant] – Gabe Wax, Jon Ashley, Matt Schimelfenig, Sean Kelly, Ted Richardson
Management – Ami Kay Spishock
Management [Assisted By] – Carolyne Klein
Mastered By – Greg Calbi
Mixed By – Jeff Zeigler (tracks: B1, B2, C2), Nicolas Vernhes (tracks: A1 to A3, B3, C1, C3 to D2)
Photography By [Cover, Gatefold, Sleeve] – Dusdin Condren
Producer [Additional Production], Engineer [Most Engineering], Mixed By [Pre-mixing] – Jeff Zeigler
Producer, Arranged By – Adam Granduciel
Songwriter – Adam Granduciel
Phonographic Copyright (p) – Secretly Canadian
Copyright (c) – Secretly Canadian
Copyright (c) – Sea Formation Music
Mixed At – Rare Book Room
Mixed At – Uniform Recording
Recorded At – Uniform Recording
Recorded At – Echo Mountain Recording
Recorded At – Fidelitorium
Recorded At – Rare Book Room
Recorded At – Miner Street Recordings
Recorded At – Water Music
Recorded At – Public Hi-Fi
Recorded At – University Of The Arts, Philadelphia, PA
Mastered At – Sterling Sound
Mastered At – Salt Mastering
Barcode (Sticker on shrinkwrap): 656605031040
Barcode: 6 56605 03101 9
Label Code: LC 29278
Matrix / Runout: SC-310LP A
Matrix / Runout: SC-310LP B Salt
Matrix / Runout: SC-310LP C
Matrix / Runout: SC-310LP D Salt
Rights Society: ASCAP

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foobar2000 1.3.17 / Dynamic Range Meter 1.1.1
log date: 2018-04-18 15:55:23
--------------------------------------------------------------------------------
Analyzed: The War On Drugs / Lost In The Dream LP RIP
--------------------------------------------------------------------------------
DR              Peak         RMS       Duration     Track
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DR13      -0.00 dB   -16.07 dB      8:51 01 - Under The Pressure
DR11      -0.00 dB   -12.72 dB      4:58 02 - Red Eyes
DR11      -2.61 dB   -17.02 dB      6:00 03 - Suffering
DR11      -0.31 dB   -13.39 dB      7:11 04 - An Ocean In Between The Waves
DR12      -1.19 dB   -15.75 dB      6:51 05 - Disappearing
DR13      -0.50 dB   -14.68 dB      5:55 06 - Eyes To The Wind
DR11      -6.80 dB   -23.30 dB      3:10 07 - The Haunting Idle
DR12      -0.50 dB   -14.18 dB      5:46 08 - Burning
DR12      -1.75 dB   -16.72 dB      4:09 09 - Lost In The Dream
DR13      -0.00 dB   -17.46 dB      7:38 10 - In Reverse
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Number of tracks: 10
Official DR value: DR12
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2802 kbps
Codec: FLAC
--------------------------------------------------------------------------------

Reviews
All Music Guide Review:

Review by Fred Thomas
When Philadelphia-based purveyors of stripped-down, haunted rock perfection the War on Drugs came on the scene with their 2008 debut, Wagonwheel Blues, their sound perked up the ears of a new generation of soul searchers looking for a soundtrack. Summoning up the patron saints of FM radio rock, the band was constantly framed as an update to the wild-eyed sermons of Dylan and Springsteen or the summer-night abandon that Tom Petty perfected, all filtered through walls of decidedly indie guitar noise. Founding member Kurt Vile left the band to pursue his blooming solo path by the time of 2011's Slave Ambient, leaving key songwriter Adam Granduciel running the show completely for that album's well-received set of songs and heightened production. Work on follow-up third album Lost in the Dream began while the band was on tour in 2012, with the full process of writing, demoing, and recording stretching out over a 15-month period and employing five different studios in as many states. Instead of resulting in a piecemeal pastiche of discordant ideas, Lost in the Dream actually represents the most fully realized statement from the group thus far, with all ten songs gelling together with a sense of purpose and understated brilliance the band came close to before, but delivers in full here. Starting with the epic two-chord gallop of "Under the Pressure," Granduciel offers up song after song of incredibly restrained yet entirely engaged rock. The classic rock reference points led to a "blue-collar rock" labeling of the band's sound, and while there are undeniable callbacks to Petty, Dylan, and Springsteen here, as there were on earlier albums, the War on Drugs have come into their own with their sound. What comes on as simplistic or even predictable rock instrumentation always unfolds to reveal buried synth sounds, horn blurts, long ambient passages, and -- more impressively -- an unexpected emotional depth propping up the bare-bones songs. While "Burning" channels the same yelping frustration and working-class trudge of Springsteen's "Dancing in the Dark," songs like "Red Eyes" and the gorgeous "An Ocean in Between the Waves" meld Jackson Browne's inward-looking sensitivity and Fleetwood Mac-like mysteriousness with an edgy depravity belonging to Granduciel alone. The songs are expansive, regardless of their tone, with the ten tunes sprawling out into almost an hourlong running time, leaving no stone unturned in their nuanced production and deceptively simple presentation. In this way, Lost in the Dream is the War on Drugs' Daydream Nation or Disintegration; lengthy distillations of similar themes result in wildly different threads of song, all connecting again in the end. It's a near flawless collection of dreamy vibes, shifting moods, and movement, and stands easily as Granduciel's finest hour so far.
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