Yo La Tengo / Stuff Like That There
Artist Yo La Tengo
Album Title: Stuff Like That There
Album Cover:
Primary Genre Alternative & Punk: Indie
Format Vinyl
Released 08/28/2015
Label Matador Records
Catalog No OLE 1079-1
Bar Code No 744861107910
Packaging LP Sleeve
Tracks
A1. My Heart's Not In It (2:47)
A2. Rickety (3:45)
A3. I'm So Lonesome I Could Cry (2:51)
A4. All Your Secrets (3:16)
A5. The Ballad Of Red Buckets (4:47)
A6. Friday I'm In Love (3:10)
A7. Before We Stopped To Think (2:58)
B1. Butchie's Tune (2:46)
B2. Automatic Doom (2:36)
B3. Awhileaway (4:03)
B4. I Can Feel The Ice Melting (2:35)
B5. Naples (2:44)
B6. Deeper Into Movies (5:07)
B7. Somebody's In Love (2:04)
Date Acquired 09/18/2015
Personal Rating
Acquired from Import_CDs
Purchase Price 17.95

Web Links

All Music Guide Entry:
Discogs Entry:

Notes

Bolstered by the addition of longtime associate/guitarist Dave Schramm, Yo La Tengo's new album has much in common with 1990's fantastic Fakebook, especially the fantastic part.
Featuring covers of Antietam, The Cosmic Rays, The Cure, Great Plains, The Lovin' Spoonful, Darlene McCrea, The Parliaments, The Special Pillow and Hank Williams, along with new versions of YLT's "Deeper Into Movies," The Ballad of Red Buckets" and "All Your Secrets," plus two new original compositions "Rickety" and "Awhileaway"

"My Heart's Not in It" (Screen Gems-EMI Music Inc. BMI) was originally performed by Darlene McCrea, a member of The Cookies and The Raelettes.
We wrote "Rickety" (Roshashauna Music/Excellent Classical Songs BMI) for "Stuff Like That There".
Our version of Hank Williams's "I'm So Lonesome I Could Cry" (Sony/ATV Acuff Rose Music BMI) is inspired by Al Green's from his "Call Me" album.
"All Your Secrets" (Roshashauna Music/Excellent Classical Songs BMI) is a rerecording of a song from "Popular Songs".
"The Ballad of Red Buckets" (Roshashauna Music/Excellent Classical Songs BMI) is a rerecording of a song from "Electr-o-pura".
"Friday I'm in Love" (Universal Music Publishing MGB Limited ASCAP) is by The Cure.
"Before We Stopped to Think" (Symbolic Gesture Music BMI) was written by Great Plains. Their version is originally on the "Sum Things Up" lp (but NOT on the "Before We Stop to Think" ep).
"Butchie's Tune" (Alley Music Corp/Trio Music Company BMI) is from The Lovin' Spoonful's "Daydream" lp, though we first heard it on "The Best of the Lovin' Spoonful".
"Automatic Doom" (Superb Rain Songs BMI) is by The Special Pillow, from their "Inside the Special Pillow" record [not in the database yet].
"Awhileaway" (Roshashauna Music/Excellent Classical Songs BMI) is the other new Yo La Tengo composition on this record.
"I Can Feel the Ice Melting" (EMI Longitude Music BMI) is by The Parliaments, before they became Parliament.
"Naples" (Sharpsburg Sounds/Songs In The House Of Hassle BMI) is a song by Antietam, from their "Burgoo" lp.
"Deeper Into Movies" (Roshashauna Music/Excellent Classical Songs BMI) is a rerecording of a song from "I Can Hear the Heart Beating as One".
"SoArtwork [Drawing] – Georgia Hubley
Design – Mike Zimmerman
Double Bass [Upright Bass], Vocals [Singing] – James McNew
Electric Guitar – Dave Schramm
Mastered By – Greg Calbi
Recorded By – Andy Taub, James McNew, Nick Nagurka
Recorded By, Mixed By – Gene Holder
Vocals [Singing], Acoustic Guitar – Ira Kaplan
Vocals [Singing], Drums – Georgia Hubleymebody's in Love" (Enterplanetary Koncepts BMI) is by The Cosmic Rays with Le Sun Ra and Arkestra. We heard it first on the Sun Ra "The Singles" collection.
Phonographic Copyright ℗ – Matador Records
Copyright © – Matador Records
Published By – Screen Gems-EMI Music Inc.
Published By – Roshashauna Music
Published By – Excellent Classical Songs
Published By – Sony/ATV Acuff Rose Music
Published By – Universal Music Publishing MGB Ltd.
Published By – Symbolic Gesture Music
Published By – Alley Music Corp.
Published By – Trio Music Company
Published By – Superb Rain Songs
Published By – EMI Longitude Music
Published By – Sharpsburg Sounds
Published By – Songs In The House Of Hassle
Published By – Enterplanetary Koncepts
Recorded At – Brooklyn Recording
Recorded At – Kaleidoscope Sound
Recorded At – Water Music
Mixed At – Brooklyn Recording
Mastered At – Sterling Sound
©℗ 2015 Matador Records

Reviews
All Music Guide Review:

AllMusic Review by Mark Deming
These days, every band seems eager to honor the anniversary of one of its landmark albums, usually in the form of a concert tour or an expanded reissue, and even Yo La Tengo have gotten into the act -- a quarter century after they released their endlessly charming 1990 LP Fakebook, in which they covered a handful of their favorite songs and reworked a few of their own numbers in semi-acoustic fashion, YLT have recorded what amounts to a sequel, 2015's Stuff Like That There. Just like a sequel to a 1980s horror movie, Stuff Like That There follows the template of the original as closely as possible -- there are two new songs, three remakes from the YLT back catalog, and nine covers, which range from the instantly recognizable (Hank Williams' "I'm So Lonesome I Could Cry," inspired by Al Green's version) to the thoroughly obscure (unless you're a Hoboken pop obsessive or a James McNew completist, "Automatic Doom" by the Special Pillows is probably not on your hit parade). Just as importantly, original Yo La Tengo guitarist Dave Schramm, who appeared on Fakebook, returned for the Stuff Like That There sessions, and while his style would have been a poor fit beside Ira Kaplan's clouds of six-string skronk that became a highlight of YLT's work from President Yo La Tengo onward, for stuff like this, Schramm's graceful sound, full of echo and clean single-note leads, meshes gloriously with Kaplan's implacable strum and the steady shuffle of bassist James McNew and drummer and vocalist Georgia Hubley. As "quiet" Yo La Tengo goes, like Fakebook this is top shelf, beautiful, and subtly joyous, and while the songs are well chosen and the performances are warm and passionate despite the low decibel level, the real secret weapon here is Georgia Hubley's vocals. Like Maureen Tucker singing "After Hours," what Hubley lacks in range she more than makes up for in her ability to infuse a song with feeling, and from the heartache of "My Heart's Not in It" and the lover's kiss-off of "Butchie's Tune" to the sweetly fractured romanticism of "Friday I'm in Love," Hubley's work beautifully demonstrates how much more less can be. If Stuff Like That There isn't as revelatory as Fakebook, it's a splendid, beguiling album that's perfectly suited for late nights and rainy afternoons, and a welcome reminder of one of the many, many things Yo La Tengo do so well.
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