| Artist |
The Bollock Brothers |
| Album Title: |
The Last Supper |
| Album Cover: |
 |
| Primary Genre |
Alternative |
| Format |
Vinyl (2) |
| Released |
00/00/1983 |
| Label |
Charly Records |
| Catalog No |
BOLL 100 |
| Bar Code No |
none |
| Packaging |
LP Sleeve |
| Tracks |
| The Last Supper (Disc 1) |
| A1.
|
Horror Movies (5:18)
|
| A2.
|
Enchantment (4:25)
|
| A3.
|
Reincarnation Of (6:45)
|
| B1.
|
Save Our Souls (5:07)
|
| B2.
|
Face In The Mirror (4:35)
|
|
| The Last Supper (Disc 2) |
| A1.
|
The Last Supper (5:19)
|
| A2.
|
The Act Became Real (5:17)
|
| B1.
|
The Gift - 2 (9:37)
|
|
| Date Acquired |
00/00/1984 |
| Personal Rating |
 |
| Acquired from |
Down In The Valley |
| Purchase Price |
10.00 |
Web Links |
All Music Guide entry:
Discogs entry: |
Notes |
Notes:
"The Bollock Brothers wish to thank Knox and John of the Vibrators, who guested on The Gift-2."
[Uncredited] writing credits according to registration with ''BMI.com''.
Credits:
Producer – Ian O'Higgins (Iain O'Higgins), The Bollock Brothers
Companies, etc.:
Pressed By – MPO
Marketed By – Charly Records Ltd.
Published By – Charly Records Ltd.
Barcode and other Identifiers:
Matrix / Runout (on Side A): BOLL 100 A1 MPO
Matrix / Runout (on Side B): BOLL 100 B1 MPO
Matrix / Runout (on Side C): BOLL 100 C1 MPO
Matrix / Runout (on Side D): BOLL 100 D1 MPO
|
|
| Reviews |
AllMusic Review by Victor W. Valdivia
Years before Puff Daddy was taking flack for rewriting old songs, Jock McDonald was doing the same under the guise of the Bollock Brothers. The difference is that McDonald cheerfully passed the Bollocks off as a novelty act. Half the fun of a Bollock Brothers album is figuring out exactly which old classic is being rewired. The opening track, "Horror Movies," merely grafts silly lyrics about old horror movies onto the melody of the Zombies' "Spooky." "The Gift -2" is an amusing parody of the Velvet Underground's "The Gift," with new lyrics set in the video age (it's doubtful the references to Boy George were in the original). There are some attempts at depth, too. The title track is a gothic ballad that takes swipes at the Protestant Church. And, of course, like any good punk rocker worth his salt, McDonald attacks Ronald Reagan in "The Act Became Real." It's all in good fun, of course, but it's not really all that credible. The Bollocks aren't meant to be political, unless ridiculing old rock standards is some form of social protest. Listen for the jokes. The seriousness just gets in the way.
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| Cover 1 |
 |
| Cover 2 |
 |
| Cover 3 |
 |
| Cover 4 |
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|
