The Books / The Lemon of Pink
Artist The Books
Album Title: The Lemon of Pink
Album Cover:
Primary Genre Alternative & Punk: Art Rock
Format Vinyl
Released 10/07/2003
Reissue Date 03/03/2017
Label Temporary Residence Limited
Catalog No TRR181 LP
Bar Code No 656605318110
Reissue Yes
Remastered Yes
Packaging LP Sleeve
Tracks
A1. The Lemon of Pink (4:40)
A2. The Lemon of Pink II (1:35)
A3. Tokyo (3:43)
A4. Bonanza (0:53)
A5. S is for Evrysing (3:32)
A6. Explanation Mark (0:20)
A7. There is No There (3:37)
B1. Take Time (3:37)
B2. Don't Even Sing About it (4:10)
B3. The Future, Wouldn't That Be Nice (3:16)
B4. A True Story of a Story of True Love (4:25)
B5. That Right Ain't Shit (2:48)
B6. P.S. (0:56)
Date Acquired 03/06/2021
Personal Rating
Acquired from Temporary Residence Limited Website
Purchase Price 18.00

Web Links

All Music Guide Entry:
Discogs Entry:
Wikipedia Entry:

Notes

Credits:
Art Direction, Design, Layout – Jeremy DeVine
Liner Notes [Fan Mail] – Phoenix Kitchen
Mastered By [Vinyl Half Speed] – Barry Grint
Mixed By [Assistant], Mastered By [Assistant], Art Direction [Assistant], Layout [Assistant], Design [Assistant] – Paul De Jong
Mixed By, Mastered By, Remastered By, Liner Notes – Nick Zammuto
Music By – The Books

Companies, etc.:
Copyright © – The Books, LLC
Phonographic Copyright ℗ – Temporary Residence Ltd.
Copyright © – Temporary Residence Ltd.

Reviews
All Music Guide Review by Daphne Carr:

Like 2002's Thought for Food, The Lemon of Pink combines experimental collage technique with an organic, folky mixture of banjo, guitar, violin, simple vocal melodies, and snippets of conversation. The collage technique snaps like that of the United States of America, but is used to introduce glitches in the melodic elements, whereas the U.S.A. attempted to subvert the tradition of the pop form. The title track's straightforward, melancholic phrasing and subtle string accompaniment are not unlike Cat Power's work with the Dirty Three, mostly due to Anne Doerner's lovely vocals, or the more ambitiously pop elements of Chicago post-rock. The song sprawls into a low-intensity instrumental collage where silence and elements of timbre cut through the melody to create glitches in an otherwise tranquil environment. The sample for sample's sake kitsch that has dragged down quite a few artists is not a problem here -- wonderfully wrought clips like the welcoming voice on "Tokyo" make the rhythm of speaking into a fetish, toying with it, breaking it, and building it back. This is also used, less effectively, on tracks like "Take Time," where a simple phrase becomes an unphased minimalist backdrop for experimentation. It isn't often that one finds an American artist with such a mastery of collage technique and a desire to incorporate traditional folk instruments and melodies. Like the Notwist or Badly Drawn Boy, the Books open up territory for relaxed electro-acoustic listening without compromising their creative process. A lovely recording sure to find its way onto many a Top Ten list for 2003.


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